IR @ Goa University

Contrastring Portraits of Luis de Camoes with Shailesh Dabholkar's Vision

Show simple item record

dc.contributor.author Silveira, I.
dc.contributor.author Barreto-Alberto, L.
dc.date.accessioned 2026-07-21T07:09:15Z
dc.date.available 2026-07-21T07:09:15Z
dc.date.issued 2026
dc.identifier.citation IIS University Journal of Arts. 15(1); 2026; 529-538. en_US
dc.identifier.uri http://irgu.unigoa.ac.in/drs/handle/unigoa/7907
dc.description.abstract This paper examines the evolving visual representations of Luis de Camoeses by contrasting three iconic sixteenth-century portraits-the Sanguinea, the Prison portrait, and the Miniature from Goa-with a 2017 reinterpretation by Goan artist Shailesh Dabholkar. While the historical portraits immortalise Carnaes as a figure of literary genius and personal struggle, each reflects different aspects of his identity: the poetic laureate, the exiled prisoner, and the traveller to the East. Dabholkar's modern portrait reimagines Camoes through a postcolonial lens, situating the poet in Goa's contemporary artistic narrative. en_US
dc.publisher IIS University en_US
dc.subject French en_US
dc.subject Portuguese en_US
dc.title Contrastring Portraits of Luis de Camoes with Shailesh Dabholkar's Vision en_US
dc.type Journal article en_US
dc.identifier.impf ugc


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search IR


Advanced Search

Browse

My Account